Designed by Hendry Juanda, Bernida is a hand drawn and script font published by Letterhend Studio.

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Introducing, Bernida - A cute and lovely script with casual and playful feel. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

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Designed by Måns Grebäck, Brannboll Connect is a brush script and retro font family. This typeface has two styles and was published by Måns Grebäck.

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Brannboll Connect is a script sport typeface.
The baseball-style lettering was drawn by Måns Grebäck in 2020.

It is a specialist connected typeface:
Each character and all their parts are physically connected, making it a
lettering perfect for laser cutting, signs, jewelry, woodworking and embroidery.

It also comes with the additional, decorative style Brannboll Connect Swash,
which contains ten cool swashes to give the graphic extra expression.

It has a very extensive lingual support, covering all European Latin scripts.
The font contains all characters you’ll ever need, including all punctuation
and numbers.

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Designed by Adrian Talbot, Koi is a display font family. This typeface has six styles and was published by Talbot Type.

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Koi is a highly original, outline display font. Each character is represented by a single continuous line to create a fluid and rhythmic look. The result is something of a hybrid, sitting somewhere between an outline and an inline style, and with an asymmetrical look — something quite rare in a typeface. Many of the characters look like ready made logotypes. Further customisation is easily achieved by extending the end strokes of characters, possibly aligning them and joining them to others to create bespoke arrangements.

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Designed by Jeff Levine, Slabserif Grotesk JNL is a display slab and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts.

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Slabserif Grotesk JNL was modeled from an example of a wood type design called Antique Light Face, and is available in both regular and oblique versions. 

The numerals (although an odd fit to the overall design) make this vintage font quite unusual and charming. 

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Designed by Jakob Fischer, Sleepy Head is a hand display font family. This typeface has two styles and was published by Pizzadude.dk.

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Sleepy Head is a comic sans serif with slightly geometric curves, Perfect for anything that has the need for a casual display font. Comes with 5 different versions of each letter and multilingual support!

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Designed by Hendry Juanda, Quick Counters is a brush script font published by Letterhend Studio.

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Introducing, Quick Counters - A very cool brush script based on manual hand writting. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :
-uppercase & lowercase
- numbers and punctuation
- multilingual
- swash and ligature
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

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Designed by Jeff Levine, Schoolroom JNL is a sans serif font family. This typeface has two styles and was published by Jeff Levine Fonts.

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Based on the type style used for the Superior Sign and Chart Printer No. 929, this simple and clean sans serif font was perfectly suited for use by teachers in the classroom and for businesses and organizations that needed to make signs, price cards, charts and notices.

Digitally redrawn as Schoolroom JNL, it is available in both regular and oblique versions.

The Superior Marking Equipment Company [formerly of Chicago] was not only a major supplier of materials for the rubber stamp industry, but for most of its existence manufactured date and numbering stamps, sign and chart printers (such as the one used for this font), and a line of children’s printing toys (amongst other items).

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Designed by Oğuzhan Cengiz, Kanyon is a sans serif font family. This typeface has fifty-four styles and was published by Hurufatfont Type Foundry.

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Kanyon is a family of typefaces created from basic geometric forms based on the equal width system. Its clean and neutral structure and 3 different widths provide ease of use in different design channels.
With its rich OpenType features, multi-language support and small capital characters, it has a wider usage area than its counterparts.
Ideal for packaging, labels, routing designs, mobile applications, brand designs, logos, all kinds of presentation and editorial designs, indoor and outdoor printing works.

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Designed by Jeff Levine, School Activities JNL is a display sans and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts.

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An image spotted in an online auction online of a 1940 Milton Bradley child’s activity set consisting of wooden letters formed the basis for School Activities JNL, which is available in both regular and oblique versions.

Although the basic characters feature chamfered corners, the nature of bending the steel rule dies to form the letters to be cut from the wood provided rounded edges as well, creating their unique look. 

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Magnesit is a display sans font family. This typeface has three styles and was published by Rekord.

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Sporty and brawly, Magnesit creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit Stencil and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. Magnesit works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

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Download Magnesit Fonts Family From Rekord

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Magnesit Dark is a display sans font family. This typeface has three styles and was published by Rekord.

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Sporty and brawly, Magnesit Dark creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job. Three distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Stencil families, so you can mix and match to achieve exactly the effect you need. Magnesit Dark works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit Dark is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

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Designed by Oleksandr Parkhomovskyy, Magnesit Stencil is a display sans and stencil font family. This typeface has four styles and was published by Rekord.

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Sporty and brawly, Magnesit Stencil creates impact everywhere it lands. Impressive headlines are its specialty, but it feels right at home used in packaging, branding and poster design. With a very tall x-height, wide language support and minimalistic yet playful appearance, it can take on any serious typographic job.

Four distinct styles expand the possibilites even further: the straight to the point Regular, the friendly Soft and the determined Hard styles share metrics across related Magnesit and Magnesit Dark families, so you can mix and match to achieve exactly the effect you need. The SuperSoft style unique to the Magnesit Stencil family carries the concept to the extreme, mixing soft organic curves with rigid modularity inherent to stencil signage.

Magnesit Stencil works great with illustrations, the generous shapes can be easily filled with strong imagery to great effect.

Based on the best-selling Grim, Magnesit Stencil is a vast improvement of the concept with long awaited addition of lowercase, reworked proportions, spacing and kerning, expanded language support and useful icons to satisfy even the most demanding typographers’ needs.

Download Magnesit Stencil Fonts Family From Rekord

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Designed by Jakob Fischer, Notebug is a hand display font family. This typeface has three styles and was published by Pizzadude.dk.

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Notebug looks like there was a bug playing around with an inky pen. Notebook with a bug = Notebug!
Made with a hefty inky pen and quick strokes. You got 3 layers to play around with: Regular (the outline) Fill (The “inside” of the Regular version and Layer (best used as a background layer for Regular)

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Designed by Elena Genova, Roca is a retro and serif font family. This typeface has twenty-four styles and was published by My Creative Land.

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Initially started as an extension to Praline MCL, Roca transformed into a new font family - influenced by the same fonts as Praline - Windsor and Cooper Black - the hits of 60s and 70s – with a hint of Bookman.

Created in 2 styles and 6 weights that can be mixed and match, it contains 24 fonts including alternates and true italics . It is full of OpenType features – stylistic alternates and ligatures.

This multilingual font family supports most of the European languages as well as Cyrillic ones (Russian and Ukrainian).

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Designed by Jeff Levine, Sandalwood JNL is a display sans, sans serif and wood type font family. This typeface has two styles and was published by Jeff Levine Fonts.

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An example of an antique sans serif wood type displayed in Rob Roy Kelly’s “American Wood Type” was the working model for Sandalwood JNL, which is available in both regular and oblique versions.

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Designed by Juri Zaech, Fraktion Mono is a sans serif font family. This typeface has ten styles and was published by Juri Zaech.

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Fraktion Mono is a semi-technical grotesk and the fixed-width complement to Fraktion Sans. It comes in six weights from Light to Black and offers plenty of typographic solutions through OpenType features like case sensitive punctuation, stylistic alternates, fractions and slashed zero. Fraktion Mono works great for branding, packaging, editorial or any display application and comes with an expansive character set that covers over 200 languages. Fraktion Mono is manually kerned and auto-hinted for crisp display on screen.

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Designed by Rodrigo Salas, Galpon Pro is a comic, display sans and hand display font family. This typeface has eleven styles and was published by Rodrigo Typo.

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Designed by Hendry Juanda, Kaeliwritten is a hand drawn font published by Letterhend Studio.

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Introducing, Kaeliwritten. A natural handwritten typeface. This type of font perfectly made to be applied in various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.

Features :

- uppercase & lowercase
- numbers and punctuation
- multilingual
- alternates
- PUA encoded

We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/

Email us to letterhend@gmail.com if you need something! Happy Designing!

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