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| Ishimura is a display sans font family. This typeface has three styles and was published by Tugcu Design Co. |
Ishimura is an industrial sci-fi themed typeface in three styles.
Designed by Nicholas Garner, Cadmium is a sans serif font family. This typeface has forty-eight styles and was published by Aviation Partners.
Cadmium has a comprehensive latin character set and many Opentype features to enhance text, including small capitals, case-sensitive forms, superscript and subscript. Plenty of numeral variants include old-style figures, lining figures and fractions. Default numerals are proportionally spaced. Alternative styles for a handful of key characters provide some useful variations where stylistic sets can be implemented.
The fonts are presented as four width-based sub-families: Expanded, Normal, Condensed and Compressed. Each width has a matching range of six weights and italics (obliques). Regular and Bold weights are style-linked, together with their respective oblique forms. Each width differs in its basic construction but all fonts share the same vertical metrics and may be used in combination with each other. Letter spacing is optimised for text sizes but is tolerant of significant tracking changes.
Cadmium is good for signage, publicity and packaging, screen credits and titling, general print and publication, as well as web and screen applications.
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| Designed by Hendry Juanda, Foretelling Script is a brush script and script font family. This typeface has three styles and was published by Letterhend Studio. |
Introducing, Foretelling Script. A condensed script typeface. A fun, playful and casual script made by natural hand writing. This type of font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Available in 3 styles : Reguler, Rough and Stamps
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- swashes and ligatures
- alternates
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. How to access opentype feature : letterhend.com/tutorials/using-opentype-feature-in-any-software/
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Paul Eslage, Sombra is a sans serif font family. This typeface has seven styles and was published by TypeMates. |
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Sombra is an organic grotesque typeface with flourishing spirit. It combines geometric structure with leafy, sharply swelling strokes and exaggerated incisions. This tension between organic momentum and the geometric construction means Sombra flowers in branding, editorial and packaging projects connected to nature, urban life and culture.
Across seven weights, Sombra sprouts from a condensed Light into an extended Black before revealing its most eccentric colour in the UltraBlack poster style. It’s a versatile choice for demanding typographic tasks: a condensed Thin for short synopses on the back of packaging, a Regular balanced for all kinds of text and a wide Black that boosts headlines.
How Sombra combines width and weight can bring an exciting tension to your design. And when you want an even more free-spirited attitude? There’s the ultra bold Poster style to top it all off. With overgrown terminals, hairline punctuation and symbols, it takes Sombra’s concept further.
With more than 680 glyphs in each style, Sombra supports over 140 Latin languages and comes packed with arrows, starry icons, circled numbers, compact figure settings, as well as standard and fancy ligatures. Plus, there are a bunch of stylistic sets including alternate glyphs to tweak your texts and wordmarks, and elevated decimal figures for compact price and time settings.
Somewhere between buildings and botany, Sombra finds balance in contrasts.
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| Download Sombra Fonts Family From TypeMates |
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| Designed by Juan Pablo de Gregorio, StadtMitte is a sans serif font family. This typeface has sixteen styles and was published by Letritas. |
Stadtmitte is a grotesque font with a distinctly industrial flair. It is inspired on a reinterpretation of the Berlin’s vernacular signs and characters created under the DIN 1451 norm.
By the early 1900s, german painters and sign makers started to spread this unmistakable way of font drawing used back then on freight trains. Such letter design was both very easy to read and build, hence it started to quickly spread until it became a standard in 1936 for highway signage.
Stadtmitte is not aimed to be yet another literal remake of those drawings but rather a revision of shapes and concepts that seeks to transport us to Germany’s industrial way of creating and displaying information, therefore being suitable for a wide scope of design uses, considering its own nature and different available weights.
The typeface has 8 weights, ranging from “thin” to “black”, and two versions: “regular” and “italic”. Its 16 files contain 618 characters with ligatures, alternates, small caps, old-style and tabular numbers, and case sensitive figures. It supports 219 Latin-based languages, spanning through 212 different countries.
Stadtmitte supports this languages: Abenaki, Afaan Oromo, Afar, Afrikaans, Albanian, Alsatian, Amis, Anuta, Aragonese, Aranese, Aromanian, Arrernte, Arvanitic (Latin), Asturian, Atayal, Aymara, Bashkir (Latin), Basque, Bemba, Bikol, Bislama, Bosnian, Breton, Cape Verdean Creole, Catalan, Cebuano, Chamorro, Chavacano, Chichewa, Chickasaw, Cimbrian, Cofán, Corsican Creek,Crimean Tatar (Latin),Croatian, Czech, Dawan, Delaware, Dholuo, Drehu, Dutch, English, Estonian, Faroese, Fijian Filipino, Finnish, Folkspraak, French, Frisian, Friulian, Gagauz (Latin), Galician, Ganda, Genoese, German, Gikuyu, Gooniyandi, Greenlandic (Kalaallisut)Guadeloupean, Creole, Gwich’in, Haitian, Creole, Hän, Hawaiian, Hiligaynon, Hopi, Hotcąk (Latin), Hungarian, Icelandic, Ido, IgboI, locano, Indonesian, Interglossa, Interlingua, Irish, Istro-Romanian, Italian, Jamaican, Javanese (Latin), Jèrriais, Kala Lagaw Ya, Kapampangan (Latin), Kaqchikel, Karakalpak (Latin), Karelian (Latin), Kashubian, Kikongo, Kinyarwanda, Kiribati, Kirundi, Klingon, Ladin, Latin, Latino sine Flexione, Latvian, Lithuanian, Lojban, Lombard, Low Saxon, Luxembourgish, Maasai, Makhuwa, Malay, Maltese, Manx, Māori, Marquesan, Megleno-Romanian, Meriam Mir, Mirandese, Mohawk, Moldovan, Montagnais, Montenegrin, Murrinh-Patha, Nagamese Creole, Ndebele, Neapolitan, Ngiyambaa, Niuean, Noongar, Norwegian, Novial, Occidental, Occitan, Old Icelandic, Old Norse, Oshiwambo, Ossetian (Latin), Palauan, Papiamento, Piedmontese, Polish, Portuguese, Potawatomi, Q’eqchi’, Quechua, Rarotongan, Romanian, Romansh, Rotokas, Sami (Inari Sami), Sami (Lule Sami), Sami (Northern Sami), Sami (Southern Sami), Samoan, Sango, Saramaccan, Sardinian, Scottish Gaelic, Serbian (Latin), Seri, Seychellois Creole, Shawnee, Shona, Sicilian, Silesian, Slovak, Slovenian, Slovio (Latin), Somali, Sorbian (Lower Sorbian), Sorbian (Upper Sorbian), Sotho (Northern), Sotho (Southern), Spanish, Sranan, Sundanese (Latin), Swahili, Swazi, Swedish, Tagalog, Tahitian, Tetum, Tok Pisin, Tokelauan, Tongan, Tshiluba, Tsonga, Tswana, Tumbuka, Turkish, Turkmen (Latin), Tuvaluan, Tzotzil, Uzbek (Latin), Venetian, Vepsian, Volapük, Võro, Wallisian, Walloon, Waray-Waray, Warlpiri, Wayuu, Welsh, Wik-Mungkan, Wiradjuri, Wolof, Xavante, Xhosa, Yapese, Yindjibarndi,
Designed by Hendry Juanda, Darthon is a hand drawn font published by Letterhend Studio.
Darthon is a casual display font with stroke ballpoint-like style. This font perfectly made to be applied especially in logo, and the other various formal forms such as invitations, labels, logos, magazines, books, greeting / wedding cards, packaging, fashion, make up, stationery, novels, labels or any type of advertising purpose.
Features :
- uppercase & lowercase
- numbers and punctuation
- multilingual
- ligatures
- alternates
- PUA encoded
We highly recommend using a program that supports OpenType features and Glyphs panels like many of Adobe apps and Corel Draw, so you can see and access all Glyph variations. For how to accessing opentype feature, kindly check this link letterhend.com/tutorials/using-opentype-feature-in-any-software/
Email us to letterhend@gmail.com if you need something! Happy Designing!
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| Designed by Keith Bates, Sam Suliman is a display sans font family. This typeface has six styles and was published by K-Type. |
Sam Suliman is a condensed display face supplied in three weights – Regular, Medium and Bold – plus a set of handy italics (obliques). All six fonts are included in the collection.
The typeface is inspired by lowercase lettering on a Sarah Vaughan album cover designed by Sam Suliman in 1962, a style which contrasts sharp tight outer corners with soft rounded counters. The letters were perhaps influenced by a Solotype font called Herald Square, but without that font’s aversion to diagonals, and adding distinctive perky ascenders/descenders on the lowercase r, a, u, g and n. The Sam Suliman fonts also add the nubs to d, m, p, and q.
Suliman was born in Manchester, England in 1927. After working for McCann Erikson in London, he moved to New York where he took on freelance work designing album covers, particularly celebrated are his striking minimalist designs for jazz records. He moved back to England in the early 1960s, designing many book jackets, film titles and fabrics, also working in Spain and India before settling in Oxford in the 1980s.
Designed by Giuseppe Salerno and Paco González, Suerte is a western and wood type font family. This typeface has thirteen styles and was published by Resistenza.es.
Say hello to Suerte. This new typeface with inverted contrast and bifurcated serifs was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo.
Our aim was to develop a wood type typeface adding a new personality incorporating Tuscan serifs. The complete alphabet was designed with a flat long brush and Indian ink and then vectorized.
Designed by Jeff Levine, Wood Fancy Reverse JNL is a wood type font published by Jeff Levine Fonts.
Amongst some pages scanned and posted online of old wood type alphabets comes this lovely, ornamental design in a reversed style of white lettering on black rectangular boxes.
This classic set of wood type is now available digitally as Wood Fancy Reverse JNL.
There is a narrow blank box on the “less than” key for use as an end cap, and a wider blank box on the “greater than” key to use between words as a blank space if so desired.
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| Designed by Val Kalinic, Technical Rounded VP is a display sans font family. This typeface has ten styles and was published by VP Type. |
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The initial inspiration for the typeface came from examining precisely machined labels on tools of various kinds, from cameras to cars, which need to be perfectly legible at all sizes. Such processes create a distinctly streamlined, clean look that feels both robust and stylish - universal and unique. Technical Rounded VP includes ten diverse styles, offering great versatility.
All styles in this family include an extensive Latin character set, the Greek alphabet, multiple sets of numerals, a large set of punctuation marks, and other symbols. With 1120 glyphs in each style, it guarantees full support for all Latin languages. To make the family even more powerful, twenty OpenType features are included, such as multiple vertical positions, diagonal fractional forms, optional slashed zeros, separate old-style and lining figures, small capitals, and contextual alternates.
Technical Rounded VP is the soft counterpart of Technical Standard VP. They can be used either on their own or together seamlessly.
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| Download Technical Rounded VP Fonts Family From VP Type |
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| Designed by Pedro Teixeira, Ungap Blocks Variable is a display font published by Pedro Teixeira. |
This font was designed by blocks, square glyphs. Terminals/crossbars of some glyphs can be extended in a way that you can customize the text of your design by using the selection bars in “variable font” button. That button will appear in the text editor of your program, if such option is available, like in recente illustrator and photoshop.
